“I do hope your Christmas has had a little touch of Eternity in among the rush and pitter patter and all. It always seems such a mixing of this world and the next–but after all, that is the idea!” – Evelyn Underhill
This painting: Adoration of the Child by Gerrit Van Honthorst
This Advent Hymn: Hills of the North, Rejoice!
Hills of the north, rejoice;
river and mountain spring,
hark to the advent voice;
valley and lowland, sing;
though absent long, your Lord is nigh;
he judgment brings and victory.
Isles of the southern seas,
deep in your coral caves
pent be each warring breeze,
lulled be your restless waves:
he comes to reign with boundless sway,
and makes your wastes his great highway.
Lands of the East, awake,
soon shall your sons be free;
the sleep of ages break,
and rise to liberty.
On your far hills, long cold and gray,
has dawned the everlasting day.
Shores of the utmost West,
ye that have waited long,
break forth to swelling song;
high raise the note, that Jesus died,
yet lives and reigns, the Crucified.
Shout, while ye journey home;
songs be in every mouth;
lo, from the North we come,
from East, and West, and South.
city of God, the bond are free,
we come to live and reign in thee!
This Sonnet from Malcolm Guite’s Sounding the Seasons:
I cannot think unless I have been thought,
Nor can I speak unless I have been spoken.
I cannot teach except as I am taught,
Or break the bread except as I am broken…
(go HERE to read the rest)
My mama is my favorite. She just finished writing a new book that is, I think, a bit of a magnum opus, because the central idea is to own your life and drink the cup God has given you. They say familiarity breeds contempt. And prophets are entirely without honor in their own hometown (and particularly in their families). And perhaps its taken me many years to gather the full honor owing, but I can say with full heart and no hesitation that my mom is my heroine. That her story has been one of radiant beauty. That yes, our family tale has been dark at moments, and our road has been hard countless times, but my mom was a combination of Gandalf and Galadriel and Lucy (from Narnia) because she fought the good fight and taught me to as well, and feasted and danced and laughed in between. My life is rich in countless ways because of the way my mother owned and shaped her story.
I love that she is telling that story now.
So, this is a shameless plug for my mom’s new book, except, it’s not really a plug. Her story is my story too. And it’s a gift.
I think I’ve eaten more Thanksgiving dinners in England than I usually do at home. I’m certainly not complaining. Having reached Saturday morning after a week crammed with cooking and as much study as I could muster in between, I find myself slowing, just for a few moments, to speak out and savor the many gifts that kindle my heart to a true, and hearty thanks.
I have great cause for praise this year. And wonder.
Two days ago, Thanksgiving morning, when I sat at my desk for a brief devotional before the making of creamed spinach, I glanced at my journal from this time last year. I found an entry written in a jet-lagged hour in the wee sma’s on the day before Thanksgiving, just after my return from the Lewis dedication in Poet’s Corner in England.
I instantly recognized angst in my handwriting; the swift, scrawled tilt of my words as I struggled over hope for my future. I remember that morning clearly, the way I rose in the darkness and planned to be thoroughly depressed. I remember how, with a clarity I have rarely experienced, I felt a challenge from the Holy Spirit to trust, and to enact my trust in action and attitude. I remember the Psalm I read, Psalm 37, one that has walked with me so many years I almost tire of its tireless refrain: dwell in the land, cultivate faithfulness, do good, do not fret…
In one swift immersion in memory, I recalled the rest of that morning, the way that each line had come to me with a specific directive: trust in the Lord (or to be precise, do not have a nervous breakdown today nor bewail your fate), dwell in the land (stay put and don’t panic about your future), do good (good work, which at that time, meant writing and local ministry), delight yourself in the Lord (use this transient time to learn prayer), and he will give you the desires of your heart.
I stopped at that one. Because my desires in that early morning were so specific. Having just been in England, surrounded by the kinds of thinkers and writers I longed to become, having had the words of Lewis and the high beauty of Westminster as feast for my heart, I knew exactly what I wanted. I wanted to return to England. I wanted to form a life there in which thought, writing, story, and word became my rhythms of work, creativity, and generosity. England is a place I have always flourished, and I wanted the chance to live amidst the beauty I knew there. I wanted to claim as my own the cadence of church, the fellowship of like minds reaching toward God through reason and imagination in countless fields of study, the wonder of international friendship, and even the city life of walking and local community.
Dared I write that in my Bible? Because at that moment, I saw no prospect for real return. As a visitor, certainly. Even a visiting scholar on a tourist’s visa. But not in any long-term capacity. Life circumstances, finances, obligations, limitations, all were against me. And to write that desire in my Bible, to put it as the hope I trusted to God, seemed almost to ask for disappointment, to set God up to fail, and myself to doubt. And yet. How could I live all the things God asked of me if I didn’t trust “that he is the rewarder of those who seek him.”
I wrote it down. You can see it in a faint, pen-scratched note. “November 2013, England.” And then I put it from me. Even, I think, consciously forgot it, living forward so that I would not fear. I mustered courage. I wrote, worked, trusted. I planned for the future, and for much of the year, never thought I would get to be in England. A great deal of struggle was with me this year. Crisis over identity and self. Fear over my future. Many months in which I couldn’t see the way ahead. For much of this year, I had no idea where I’d be come the end of 2014.
And then, in a series of events nearly miraculous, I found this course at Wycliffe. I threw in an application three months late. They interviewed me despite the fact that there was no place. I was told multiple times that it was highly unlikely I would be accepted. And then? The acceptance came through. A place opened up. A room was found. Old connections found me, new opportunities opened, provision was made. And one year on from that Thanksgiving morn of angsty prayer, I, my friends, am living in England.
If you ever wonder if God answers prayer, even the prayers you feel you ought not to ask, the lavish ones you can’t imagine he’d consider, let me assure you from my desk in Oxford, with Saturday sunlight streaming over my hands, that he does. He sees the inmost desires, the dreams, the hopes. Sometimes we wait many years for answers to those desires, and let me tell you, my past decade has certainly been a long course in the fine art of learning to wait. But it has culminated in my life here in England; in a course of study that richly renews my faith, a life in this city I love, rhythms of worship and learning that will shape the rest of my life.
Trust in the Lord and he will give you the desires of your heart.
Truly, he does.
Yesterday, I sat with a gathering of Wycliffe friends from various programs and nations. We had all pitched in to cook a Thanksgiving feast, and ah, it was a wonder. From eight in the morning, till three in the afternoon, we ran between the three kitchens in their various buildings and the lecture room in the main hall, basting turkeys, mashing potatoes, trying to figure out which oven would actually cook the apple pies, and stringing lights from the old, oak rafters and over the stone fireplace.
Finally, exhausted, I dropped into my seat at the long table, with its make-do decorations of juice glasses crammed with chrysanthemums ranged between a merry jumble of candles fat and thin (stolen from every available corner in the house), and I marveled at the splendor of the low lit room. I savored the beauty of it, the table groaning behind us with three (yes, three!) turkeys, the music wafting to the high old ceilings, and all of us decked in our finest, a last minute flush on our faces. I marveled at the friends, savored the laughter. I marveled at the happiness tangible in that place.
And I marveled at God. Our host stood and announced that he had asked representatives from each nation present to say a prayer in their native language. A hush came over us then, a kind of charged quiet electrified with our joy in each other and in the God who bound us together in celebration as we heard God thanked in Latin, Russian, Spanish, Afrikaans, an Indian dialect, and to close, Swedish. Amidst the last words of a prayer spoken in a tangible joy (however little I could understand), I managed to recognize the words before the amen:
Glory be to the Father, and to the Son, and to the Holy Ghost. As it was in the beginning, is now, and ever shall be.
“You ended with the Gloria Patri,” I enthused as my Swedish friend sat down.
“Why, yes I did. You caught that?”
I did. Ah, with every fibre of my being and atom of my soul, I did, for its what I want to sing. Glory and thanks forever.
Fire and light at heart of the universe. That, said Hans Urs von Balthasar, is the point of studying theology; to behold the glory that burns – sweet beauty, given Love – at core of existence. To know, as fully as we in our frailty and hunger can, the God who imagined and made this world. To study the one whose image we bear, whose mind is the source of our language and imagination. And from that knowing, to form the practices and doctrines of our faith.
I had no idea how much I would love the study of theology. With my literary background, my love of story, the bent toward the imaginative rather than the (necessarily) the academic, I looked at this stint in theology as something to inform my writing. A year in which to ask the hard questions I’ve been hoarding about church, get a bit more doctrinally centered, get my church fathers straight. But certainly not as a long-term or vocational investment.
I find that to study theology is a homecoming for my mind. I think I’ve been circling these concepts in my writing and thought for years, but somehow thought that the academic pursuit of them would leave me parched in heart. I’ve encountered systematic theology before in a way that left no open doors for questions, for paradox, for the tension that has to attend the human knowledge of the divine. It was presented as something apart, the scientific observation of a faith I only knew how to affirm and live from the interior and sometimes inarticulate depths of my heart.
Perhaps, in coming here to study, I was a little afraid that official theology might dim a little of my love, dull my wonder, heighten my doubt.
I was wrong. In the past two months, I’ve immersed myself in the servant songs of Isaiah 40-55 and come up against a love both mighty, and willing to suffer that astounds me in its splendor. I’ve wrestled with different concepts of atonement in a class on doctrine (a class that began with a lecture on the metaphoric nature of language), and in them seen the different aspects of my own desire, my own need for justice or love fleshed out, and I’ve fought to perceive the right way in which to understand the God who gave his life even unto death. I’ve begun to study what it means to view the world in a sacramental way, and how that might influence the embodiment of my faith as I give it form and order, something that more fully engages my self and life than simple intellectual or moral assent.
Every line of what I have read in the study of theology, every idea encountered has directly influenced the faith I live in the now. I talk with new friends, scan the faces (each with a story and culture, a language their own) at my table and I ponder what it means to love someone outside of myself. Ponder what it means to love as the Trinity does in its eternal, given and received affection. I hear the cries of prophets when I glance at headlines. I confront my own frustrations with what seems harsh or oblique in Scripture and realize the half heresies I’ve half believed.
And I walk in the fields, oh, my lovely old meadows at back of the Parks, and the words of Isaiah thrum through my mind. I see this ever-changing earth and put out my hand to receive the sacramental beauty it offers, the glimpse of something that gestures to the great imagination behind its being. I receive, in a way I never have before, each goodness as tethered to the heart of God.
As the months pass here, I hope to write more about the different things I’m learning in some depth. I want to delve here into the language of redemption in Isaiah, or discuss the finer points of Christology, or sketch the way that string theory interacts with a religious view of the origin of life. For now though, I have to share a moment from this morning.
I was out for my usual walk and found a sunrise that seemed made to picture the “fire and light at heart of the universe.” Perhaps it came to me like that because my mind has been so shaped by what I’ve studied. Perhaps I perceived the beauty more keenly because I have thought so deeply about its source in the past days. Regardless, those fifteen minutes of golden light were pure gift, a space of eternity expanding within the air of time so that I found an exultation that seemed not to fit within mere minutes. I felt I witnessed a glimpse of what I study to find and I think it will keep me studying for years to come.
As I walked, I remembered the words I had read just the day before in Isaiah . With them, and a glimpse of the splendor, I leave you.
For as the heavens are higher than the earth,
So are My ways higher than your ways
And My thoughts than your thoughts.
For as the rain and the snow come down from heaven,
And do not return there without watering the earth
And making it bear and sprout,
And furnishing seed to the sower and bread to the eater;
So will My word be which goes forth from My mouth;
It will not return to Me empty,
Without accomplishing what I desire,
And without succeeding in the matter for which I sent it.
For you will go out with joy,
And be led forth with peace;
The mountains and the hills will break forth into shouts of joy before you,
And all the trees of the field will clap their hands.
Instead of the thorn bush the cypress will come up,
And instead of the nettle the myrtle will come up,
And it will be a memorial to the Lord,
For an everlasting sign which will not be cut off.
The day crept in dim and low and misty this morning. I took a long walk and found cobwebs draped merrily over every available leaf, each strand starred with dew. Today is a reading day, and I have hours to go before I sleep. I’m hoping for a writing day soon, but these past weeks have been wild, and I haven’t yet managed to cull the thoughts waiting for this space. There’s so much I want to share: to be here is to be feasted, daily, and I keep wanting to pass on the delight. So, though I don’t have time today for much contemplation, here’s a book review I wrote for a formative assignment. I share it mainly because I am deeply intrigued by the author, a theologian who focused strongly on the beautiful, and I think perhaps many who read here would find delight in his work. I’m captivated by his fervor to describe the beauty of God, by his view of the Creed as an outworking of Love. So, read the review, but I hope it leads you to the book, and on to other excellent explorations. And may your day, misty like mine, or bright in the waning of autumn, be blessed.
Credo: A Review
Reflecting on the line in the Apostle’s Creed affirming belief in the “communion of the saints, “ Hans Urs von Balthasar described the saints as “open treasure-houses accessible to all, like flowing fountains at which everyone can drink.” In Credo, a slim book of pithy reflections on the lines of the Apostles’ Creed, von Balthasar embodied the generosity he described. Written near the end of his life, Credo is a series of brief meditations offering an invitation to the treasure house of insight gathered over the author’s lifelong study of Scripture, theology, and doctrine.
An eminent theologian, described by his mentor Henri de Lubac as perhaps “the most cultivated man of his time,”von Balthasar was one of the most influential Catholic intellectuals and theologians of the twentieth century. Author of over a hundred books, founder of a lay community, friend and interlocutor of the influential Karl Barth, von Balthasar is perhaps most famous for his sixteen-volume treatise of systematic theology. He was a theologian concerned to engage redemptively with the questions of modernity while simultaneously casting a new vision of theology centered on the transcendent ideas of truth, goodness, and beauty.
In light of these momentous and verbose achievements, Credo first strikes the reader with its brief simplicity. While much of von Balthasar’s work could certainly be described as an open treasure house of theological knowledge, Credo is more intimate; the invitation to an inmost room where the real treasure is kept. This simple volume of reflective, vivid, often lyrical prose reads as a collection of the author’s key thoughts, gem-like insights culled from decades of theological study. In presenting them near the end of his life, in words accessible to a wide readership, one feels that von Balthasar is returning to essentials, affirming and presenting the seeded truth from which his great theologies grew.
In content, Credo is a collection of meditations upon each article of the Apostle’s Creed. At times an imperfect work, with sections of varied pace, length, and tone, Credo can strike the reader as a collection of random and somewhat disconnected observations tacked on to the articles of the Creed. But as von Balthasar writes in his opening line, “everything manifold stems from something simple,” and this is profoundly true of his own thought, something an attentive reader perceives and appreciates by the close of the book.
Stratford Caldecott, a recent Catholic writer, observed that to von Balthasar, “theology is supposed to be the study of the fire and light that burn at the centre of the world.” This holds true in Credo, for in his opening lines, von Balthasar makes it clear that the light at center of the universe is love. The “manifold” contemplations in Credo all stem directly from “the fact that the one God is, in his essence, love and surrender.” This early statement of his central idea sets the theme and tone for the rest of Credo’s meditations, each exploring exactly how that love is worked out in various aspects of creedal truth and human experience.
Several key themes may be identified within the text, ideas to which the author often returns. These include the concept of self-giving, the true nature of freedom, the way that love transforms death, and the way that love gives meaning to suffering. Each theme ultimately reflects how these various truths and experiences lead the human heart back to its divine source.
At times, the theologian is evident as von Balthasar argues for a particular interpretation of the Virgin birth (“Born of the Virgin Mary… here we have a great theater of war…”) or explains creation as gift from God to God (“From the viewpoint of the Father, in order to glorify the beloved Son; from the viewpoint of the loving Son, in order to lay everything at the Father’s feet.”). From lyrical statements regarding the Trinity’s self-giving love (“Herein lies the most unfathomable aspect of the Mystery of God: that what is absolutely primal is no statically self-contained and comprehensible reality, but one that exists solely in dispensing itself…”) he easily transitions to informative, directive comments on his incarnation (“…but at Christmas, the Old Covenant and its expectations pass over into the quite different fulfillment of the New…). He is personal and informal, both teacher and pastor, and often, father to his reader.
His parental tone is strongest in his passages on suffering. Cognizant of the era in which he writes, he references recent events, aware that the beauty of Love so central to his theology might be obscured for his reader by pain. Henri de Lubac says of him that, “sensitive to man’s Angst, he emerges from it in faith.” Aware of how doubt unravels faith, von Balthasar ties creed to culture by describing the way in which “suffering… remains in God’s keeping, and is, in God, in a mysterious way, fruitful…”
Passages like the above illustrate the deeply pastoral tone of Credo, one reminiscent of that used by the Beloved Disciple in 1 John, addressing his readers as “little children.” The meditations, while certainly instructive, are not primarily apologetic or doctrinal arguments. Rather, they are explanations, clarifications, and expositions that untangle the complications of theology for any reader intent upon living the creed. Credo is also similar to 1 John in its aim to reveal a God whose essence is love. To read it is to glimpse that love through von Balthasar’s eyes, and even in some way, to inhabit it.
For the essence of Credo is something that both eludes and transcends a catalogue of its theological content.
In his essay Meditation In a Toolshed, the writer C.S. Lewis described two different ways of knowing reality by picturing a man standing in a darkened tool shed with a beam of light coming in over the door. The view to be had by looking at the beam describes the scientist’s insight gained by standing apart from the thing observed. The other view, and its corresponding knowledge, is that of the man who steps into the sunlight, looking along the beam into the green, bright world outside. This is the knowledge of lovers, children, and mystics, a knowing communicated by experience.
In Credo, von Balthasar writes from within the light.
The poignancy of Credo lies in the fact that its author has not only studied, but lived the creed. He knows its truth in bone and breath as well as mind. His insights are those gained by a lifetime of, not merely observing Love with the scientific eye of theology, but stepping into its light, allowing its glory to suffuse his inner being. In an early essay titled “Theology and Sanctity,” Von Balthasar wrote of the importance of “kneeling theology,” his concept for a life of study rooted in a life of prayer, and that fundamental orientation of self shines through. Credo is, at least in part, contemplative vision that comes to the reader in bold, bright strokes of spiritual vibrancy.
This is where the book is at its best, when Von Balthasar looks along the beam to the green world beyond this one where the sun of a glorious Beloved lights the whole universe. In Credo, von Balthasar invites us into the Creed as into a world, a world whose air will quicken our own dying souls with the oxygen of eternity.
As the author himself states near the end of Credo “for anyone who is permitted to step out of his or her own narrow and finalized life, and into this life of God’s it seems as if vast spaces are opened up before one, taking one’s breath away.” In his many books of theology, von Balthasar strove to outline and describe the vast and beautiful life of God. In Credo, he evokes it, inviting his reader to join him in the light, to walk in the way of the creed, enter its world, and discover the “adventures of creative, imaginative love.”
His promise if we do?
“Life in God becomes an absolute miracle.”
(All the quotes taken from: Hans Urs von Balthasar, Credo, (San Francisco: Ignatius Press, 1990))
There are walks. The daily, good kind you take for health and hard breath and the swift, quick lengthening of leg. And there are rambles. The kind you plan for a late afternoon, brisk and bright, not so businesslike that the beauty of the earth leans back from your speed, but still marked by the set intent of exercise or the benefits of the fresh, free air.
And then there are wanderings. The ambles you take when you had no plan for a walk, the kind that come when you glimpse the toss of burnished leaves against incoming storm and know that in one more day the gold will be gone. The kind that come when a line of rose light breathes up the underbelly of an evening cloudbank and you know you must run to catch something precious, something that will fade and never come again.
That was the kind of walk I found late Saturday afternoon when the high wind and the shivering trees, all ashimmer in their worn splendor, shook me awake, sang me to my feet and drew me into the long paths of the park nearby. I strode hard, the strike of each foot joyous because that wind was woven of coming cold and honeyed light and the fire of dying leaves. It was the kind of day you wish you could somehow imbibe, like wine sipped velvet or golden from a glass, a day to be tasted and savored, to warm every atom of blood and soul.
I made it over the bridge toward the back and into open meadow. My feet sloshed through mud with the giant trees and their spare, balding limbs all restless overhead and the rumor of a western-coming storm in a whisper through the grass at their feet. I reached the right angle turn to the next meadow and found a scene that halted my feet, and drew breath, heart, and eye into an instant of concentrated beholding.
In this age of Instagram, the all-too-easy impulse was to pull out my phone, put a screen between myself and that scene and let it, with a bit of filtering, stand in for what ought to be my song, what ought to be an outspoken cry half of desire, half joy, and woven all through with something very much like grief. I reached for the phone, but I halted. I let my breath slow. And set my mind instead to the task of telling. I set eye to watching and head to choosing the fit words to gesture in bright strokes toward the beauty I saw, because such splendor demanded a whole and present self. To articulate the splendor was a kind of praise.
The hour was late, the light low, a storm in slow dark drift across the fields. But the gold of the fading day sped up the grass just inches ahead of the darkness. The sun was fierce. There was no gentleness in its raging against the dying of the light as it soaked the soil and leaves, steeped the air in a pale, spiced sheen, and left this walker with the sense that I walked, adrift, in light. The wind made an undulation like ocean waves of the sunset, ebb and flow of earth’s great, heaved breaths, with great black flocks of graceful birds tossed in its capers. The birds neither fought nor flew, but simply dove and spun as the wind willed, stark, black, graceful shapes flung in profile across the wedge of an almost-full moon already pearl bright in the high, blue sky.
And as I watched, I knew myself the still point in that spinning world. I felt the world as a turning that never halts, made of season and storm and sky and light in unrelenting rhythm. Never have I been so keenly aware of the forward drive of the earth. And thus, its fleet, unresting grace. The beauty of the day was beyond my grasp even as it touched my hand. I put out my sight to catch it, and already knew it gone. On and on it drove, like a dancer in a whirl it couldn’t stop.
And abruptly, loving the beauty, I wanted to make it stop. I wanted to get that moment firmly in my hands, to hold light and dark and storm and gold in the human grip of my need to get a hold on time and so get the future within my grasp. My own life felt too much like that day, too tied to the vivid, spinning earth, a forward energy I cannot stop or stay, my heartbeat and breath relentlessly driving me on each second to ends and selves I cannot begin to imagine. I feel bewildered by the march of life of late. I revel in it but cannot stay. I can’t catch up. I can’t get on my feet, can’t accomplish all I dream, love all I see, pray, give, make, write, when time drags me so relentlessly on. I live with a constant perturbation at my inability to get my hands round time and wrestle it to my will. And for an instant, I was very aware of the shadows gathering at my back.
But standing there in the bright, gold chill, I remembered a class on Church doctrine that week. They say that doctrine is dry stuff. At least, so I’ve often been told. But I listen in my classes with bated breath. To hear the tenets of my faith teased out, made plain, to deepen every single theological word I know with fresh insight is to feel my capacity for belief quite doubled. The class I recalled was on the Trinity.
By lesson’s end that day my brain was alight with a freshened vision of the God who is Love in a kind of circled dance between Beloveds. A God who is, in his essence, community. A God who is in his essence, motion. The motion of love ever given, ever received, a circle of ceaseless, unhalting, eternal affection. I used to think that if I could look up into the heavens, somehow “see” God, I would see a static single figure on a throne. Still. Motionless. Immoveable. And of course, there’s an aspect of truth in that concept. But in that class on Trinity, a new image came blazing into my mind and I imagined myself looking up to the ultimate point of being to find it a moving circle of Love. And if the core of Reality is love given and received, then the core of all existence is a kind of dance. A circle. An onward rush of Love’s ceaseless motion.
In that Love we live and move and have our being. And that is the Love come down into time, into my windswept moment, my swift, insecure life, a love come down to die to draw me back into His dance.
For it’s death I fear in the season’s change and savoring the shadows there, I knew it. In a fallen world, the onward rush of time leads inevitably to human decline and my frail, faltering self, young as I am, feels the chill of that end reaching back to me within the onward march of time. The years pass more swiftly even the little older I get. I understand that I may not reach the dreams I desire, may not complete the ideals of work or love or creativity I bear. The change of the seasons now marks more clearly what I have not accomplished than what I have, and worse, reveals my weakness. Each change presents me with the loss of what I thought I would be, and so, amidst the beauty, I begin to be afraid.
For loss marches toward me. I look at those autumn fields and know that winter comes next, for the earth… and perhaps for myself.
But hush, my soul. Hush swift, beating heart and anxious mind there in the ripened beauty of the windy autumn fields. For Love has come into the circle of time and taken it back into his own eternal dance. The world does turn ever on. The seasons are a dance like the Love in whose imagination they began. My own heartbeat, my breath, my morphing thoughts reflect the onward push of Divine affection moving out and forward, giving, making, offering itself anew. But when the motion of time became a shattered, broken thing, cut off from the life of God, ending in withered death, Love came down and died. And when Love came back alive, time was taken back into his dance and now in every heart that chooses Love, time marches, not to death, but back into the circle that began it. The end of my life is not in the loss of all the dreams I bore, but in their final expression, beyond what I, seeing only the limits of time, can imagine.
In Love, nothing is lost. Beauty abides, and nothing will die in earnest that is taken up into Love’s ever-given, never-ending life. Here, in the time-marked earth, I yet stand by faith within eternal Love, and the motion around me is not to be feared, but met with a growing, chosen hope. Onward the days rush, onward the years, onward my changing self amidst the changing face of the earth. But Love’s forward motion began us, and Love’s death redeemed us, and Love’s great pulsing life has taken us into itself and someday, the last winter will fade, the last night end. But the dance will never cease; on Love goes making us all anew, weaving us into His great, given life.
Dark pooled at my feet. The light died. But above me the moon was a wedge of brilliance in the sky and the stars were already alight.